Polyphonic instruments can be created by “combining” several voices using a specific architecture file, with the single voice described by a Faust DSP program. The architecture file takes care of dynamic voice allocation and control MIDI messages decoding and mapping.
Description of the polyphonic instrument
First you’ll have to describe the voice in Faust, then use the mydsp_poly class to combine several voices.
Programming the instrument voice
By convention Faust architecture files with polyphonic capabilities expect to find a user interface parameters with the following
gate names. The metadata declare nvoices “8”; kind of line with a desired value of voices can be added in the source code.
In case of MIDI control, the
freq (which should be a frequency) will be automatically mapped to MIDI note numbers,
gain (which should be a value between 0 and 1) to velocity and
freq to keyon/keyoff events. Thus, gate can be used as a trigger signal for any envelope generator, etc.
Look at the A Simple Organ post for a complete example.
Allocating the polyphonic instrument
Use the faust/dsp/poly-dsp.h file to wrap the dsp voice into the polyphonic architecture. This file defines the mydsp_poly class (a sub-class of base class dsp) that maintains and array of dsp objects, manage dynamic voice allocation, control MIDI messages decoding and mapping, and mixing of all running voices (stopping a running voice, when its output level decreases below a given threshold).
As a sub-class of dsp, the mydsp_poly class redefines the buildUserInterface method. By convention all allocated voices are grouped in a global “tabgroup”, so that a user interface builder may display them separately. The first tab contains a Voices group that can be used to change parameters on all voices at the same time. A Panic button can be used to stop running voices.
This dsp object can be used as usual and connected with the wanted audio driver and possibly other UI control objects like OSCUI, httpdUI, etc. Having this UI hierarchical view allows for instance complete OSC control of each single voice and its control parameters.
Allocation of a polyphonic instrument takes the DSP to be used for one voice, the desired number of voices, the dynamic voice allocation control state, and the ‘group’ state which controls if the Voices group as well as separated voices are displayed or not:
DSP = new mydsp_poly(dsp, nvoices, true, false);
With the following the code, note that a polyphonic instrument may be used outside of a MIDI control context, so that all voices will be always running:
DSP = new mydsp_poly(dsp, nvoices, false, true);
Controlling the polyphonic instrument
Note that mydsp_poly class is also ready for MIDI control and can react to
pitchwheel messages. You can also add other MIDI control parameters directly in the dsp source code. See Controlling with MIDI post for more informations.
Creating the polyphonic instrument
Several architecture files and associated scripts have been updated to handle polyphonic instruments.
As an example on OSX, the script faustcaqt foo.dsp can be used to create a polyphonic CoreAudio/QT application. The desired number of voices is either declared in a nvoices metadata or changed with the -nvoices num additional parameter (-nvoices parameter takes precedence over the metadata value). MIDI control is activated using the -midi parameter.
The number of allocated voice can possibly be changed at runtime using the -nvoices parameter to change the default value (so using ./foo -nvoices 16 for instance).
Several other scripts (faust2jaqt, faust2ios…) have been adapted using the same conventions.
Adding an output effect
Polyphonic instruments can be used with a global output effect. Putting that effect in the main Faust code is not a good idea since it would be instantiated for each voice which would be very inefficient.
The -effect effect.dsp paramter has to be used in the script. The number of outputs of the instrument must the same as the number of inputs of the effect.
faust2xx scripts will then compile the polyphonic instrument and the effect, combine them in sequence, and create a ready to use dsp. As an example on OSX, faustcaqt -nvoices 8 -effect freeverb.dsp -midi synth.dsp script can be used to combine the instrument and the output effect, and make it MIDI controllable.
Polyphonic instrument as plugin
The previously described polyphonic architecture has been written to develop standalone applications and it still rather basic. Note that much more sophisticated polyphonic aware plugins have already been developed: